 |
 |
|
|
|
|
                                      
|
|
|
|
Accented Cinema Diasporic Exilic Filmmaking An Accented Cinema: Exilic and Diasporic Filmmaking by Hamid Naficy, Drawing on highly literary and media theory, Naficy places accented films in an evolving, multilayered dialogue with home and host countries.
No Wave Cinema - No Wave Cinema was a nearly nine year boom (1976-1985) in underground filmmaking on the Lower East Side neighborhood of New York City. Its name, much like its cousin No Wave music, was a stripped down style of guerilla/punk filmmaking that emphasized mood and texture above everything else. Cinema of Hong Kong - The history of Chinese-language cinema has three separate threads of development: Cinema of Hong Kong, Cinema of China and Cinema of Taiwan. Hong Kong, as a British colony, had a great degree of political and economic freedom relative to Mainland China and Taiwan, and developed into a filmmaking hub for the Chinese-speaking world (including the worldwide diaspora) and East Asia in general. A Century of Cinema - A Century of Cinema is a 1994 documentary directed by Caroline Thomas about the art of filmmaking (coinciding with cinema's 100th anniversary), containing numerous interviews with some of the most influential characters of the twentieth century. Cinema of the Netherlands - The Dutch film industry is relatively small, though there have broadly been several very active periods in recent history in which Dutch filmmaking thrived. The first was in the 1970s, with movies as Turks Fruit (Turkish Delight) by the renowned Paul Verhoeven. accentedcinemadiasporicexilicfilmmakingaccented cinema diasporic exilic filmmaking.
accented cinema diasporic exilic filmmaking. |
|
